Jim Love

Editor

Arts and Entertainment

The Inverness Courier

New Century House

Stadium Road

Inverness IV1 1FF

 

Dear Editor

I’d be grateful if you would consider the following CD review for publication.

 

Ian King,

1 Ardross Court, 20 Ardross Street,

Inverness IV3 5NN

Tel: Inverness 223857

 

 

Red River Blues – Playing Time 61.44 – MONJ2CD – Rowan Studios

 

I, KJR, a recent resident of under two months duration, of Inverness, and, as a life long listener to, Dixieland, New Orleans and Traditional Jazz music, I was delighted when I spotted a notice in the tourist information centre in Bridge Street about the Ness River Rhythm Kings who were playing every Tuesday evening at Nico’s Grill Bar, in the Glen Mhor Hotel, situated midway along Ness Bank, walkway in Inverness.

 

Blues, to describe it fully, it would take me up pages of writings to do so, as there is no single definition of the term.  Although a pertinent one comes to mind, “to define a structure for performing the music” another one is “a manner of performance and its characteristics”.

 

However, an ability to “play the blues” has been a requisite of all Traditional Jazz musicians” since the time of its roots a century ago.

 

The Red River Blues is the last of the fifteen tracks on this CD’s entitled album, which as I hear it, is a very nice a jazz-dance tune.

 

This Red River Blues song is new to me, but I do recall years back singing to one called the Red River Valley.  Regarding other Reds that I’m conversant with, are, Red Heads, a group in the late 20s led by Red Nichols and, a Jelly Roll Morton’s Red Hot Peppers number, with among other great jazz musicians noted in the Peppers’ line-up is one Kid Ory playing trombone of the same period – 1926 to be precise.

 

With this Blues - there are five other ones on the album, which opens, with a low-down Tuba tone, a high-pitched clarinet and an interactive banjo, accompanied by haunting piano movements which all sets out one element of this Red River number.  The clarion cornet voice and rippling trombone sound laying down a unique mood to the song, different to the beautiful tone that one hears coming from this musician’s trombone when he is heard playing during his live performances at the band’s Nico’s Grill Bar venue.

 

Joining the long-standing appreciative audience of the Rhythm Kings are the tourists who come from all over the world to visit Nico’s and to listen to “their kind” of jazz music on occurring weeks.  Such as a gentleman of Scottish parents who came from New Zealand via California, and the Traditional jazz loving German couple who came from the city of Köln whom I found most interesting to talk to.

 

Such characterisation of the Ness River Rhythm Kings can be expressed thus, as I say it, with influence as one is walking home in the evening after listening to a live performance, alongside the River Ness and over the suspension footbridge looking across the river towards the Glen Mhor Hotel from where I’ve just come, that is to say, with the midnight moon sparkling silver-shinning-like over the deep in places sections of the river, so covering up troubled waters, and, of the flung wind-spray ripples, gently moving over the waves in contrast to the wide but ever so sweetly, swift, invigorating flowing waters that are winding continuum down the Inverness way into the Moray Firth.

 

The sound quality of this album is very good not forgetting to mention that it has an adorable New Orleans jazz dancing beat to it.  The tempi throughout the album are exquisite. Also, the vocals on it, and, the all-round musicianship are either conducive or attributable to present and past top masters of this jazz musical genre.  Written with sincerity and, not with exaggeration.

 

The other four Blues are Weary, Riverside, Savoy, and Winin’ Boy the other ten include a March, Love songs, well-known Traditional jazz dances, Struts, they are all there for anyone and everyone to enjoy, taking care of those filled with foot tapping enthusiasms, for that’s what this music is all about.

 

I’ve been acquainted with many Scots, whose metier are and were this kind of jazz, believing that they all came from the lowlands.  True, I have visited the Nairn jazz festival featuring top class American musicians, the Air jazz festival and Isle of Bute one but little was I aware that there would be a Ness River Rhythm Kings group playing in the city capital of the Highlands of Scotland.

 

The leader of this group is Pat C Strachan who can be found by giving him a bell on telephone No: 01381 621490 for information, or look him up on Tuesday evenings at the Glen Mhor Hotel.

 

You’ll be enriched by your actions listening to his kind of jazz music, and learn of the tunes and of the six musicians who play live in the group where the Tuba instrument is replaced by a String Bass one.

 


Kings Jazz Review
Thursday the 22nd of June 2006

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