SONGS
Recorded over 4 days September 2005 at Spragueland Studios
Music and Lyrics by Mary Ann Douglas – E-mail maryanndouglas@msn.com
Magdalene Records MGDL 1004 – Arranged and conducted Mundell Lowe 2007
In my youth – still a boy, I used to lie in dreamland for hours in the gloaming or relaxing in dimmed lighting Winter evenings, listening to the
LP record “Songs for Swinging Lovers” by singer Frank Sinatra and the Nelson Riddle backing big band now in the possession of my youngest daughter. Although not referred to during the swing period there were always strings of jazz vibes I loved hearing that came out from their music.
Now - 60 years down the road at a time when I can easily come to terms of being in a sense “Let’s, Just Be Friends” seeing it through the eyes of comparative grownup outlook – on receiving the Mary Ann Douglas “Unfinished Business:” CD from California for review, I can with delight look back on those bewitched, bothered and bewildering days of joy once more through this form of renewed listening pleasure.

By putting forward this European formidable event in contrast to the “Unfinished Business” CD album by Mary Ann Douglas - one will find the musical world far, far richer for being in possession of her remarkable volume of love songs - for such tender beauty that it is - is a joy forever.
This Douglas backing quintet is ahead of its time. The opening of each song gets special treatment with a variant instrument playing to the apogee of sound quality, the pinnacle of the instrument’s capability. Song three comes over divine please tell what instrument it is?
There are literally hundreds of song lines covering the complete album, with remarkable perception the chosen words blend in, in perfect feeling for the tune, the portrait of the song and its composition complete – when listening to this sentimental jazz music - follow the words in the album booklet.
Each song has a chorus, and there is absolutely no diminution in tone quality of voice nor from the Douglas instruments from the beginning to the end of the album as the jazz artists undertake their selected 12 bars or more breaks: on drums; flute; guitar; piano; sax as complementary to each title of the tune as may be – it’s delightful, and it is a perfect blend of understanding the words, chosen for their particular matching song at the time.
Kings Jazz Review - Tuesday the 15th of May 2007